ETHNOPHOTOGRAPHYSascha Klamp · Armenia
An elderly woman in a headscarf sits beneath framed portraits in a green room

Armenia · December 2020 · Where it began

After the War

The ceasefire was a few weeks old and Covid was at its height. Four days in December that led to everything after.

From An Armenian Journal

In November 2020 I decided to travel to Armenia. The war was coming to an end.

I left London in the knowledge that my mission was worth our family’s while. And I literally did not know anyone upon arrival.

Field note · The minibuses

The minibuses were arriving, not leaving.

Families who had fled Artsakh climbed down with what they could carry. The rest came down off the roof.

Soldiers and families gather around white minibuses in a car park
Arriving from Artsakh, Yerevan, December 2020
Men unload bags from the roof of a minibus
Everything they could carry
A man on a minibus roof hands down a bag
Unloading, December 2020

Field note · 11 December

Donations came in sacks and carrier bags. Flour, nappies, winter coats.

Volunteers sorted them on the floor of a hall, one pile for each family.

An open sack of flour beside donated bags
Flour, December 2020
Volunteers sort piles of donated clothes on a hall floor
Sorting the clothes
A hall floor covered with bags of donated food and clothes
One pile per family
A young woman hands a man a bag of supplies
Handing out, December 2020
A baker in a hairnet rolls out lavash dough
Baking lavash, December 2020
A woman lifts a sheet of lavash in a small bakery
Bread for the families

Field note · 10 December

In a bright room children painted at easels, masks on.

An apple and a jug sat on a blue cloth. For an hour the war was somewhere else.

An apple and a white jug on a blue cloth, easels behind
The still life
A masked child paints at an easel
December 2020
A teacher points across a room of children at easels
The art class, December 2020

Field note · The portraits on the wall

In the homes we visited, the newest photograph on the wall was often of a son in uniform.

People sat beneath it and told me about him. Then they made coffee.

A man at a table beneath framed portraits of a young soldier
December 2020
An elderly woman in a headscarf beneath framed portraits
December 2020
A family stands in a sitting room with children on the sofa
December 2020
A boy in a POWER jumper looks at a drawing
December 2020
A boy stands beneath an icon and a framed photograph
December 2020
A woman holds a small child in a bright knitted hat
December 2020
A grey-haired man in camouflage trousers carries a bag
December 2020
An older man in a leather cap and sheepskin coat stands in a dark stone room
December 2020
A pair of small red children’s shoes on a worn patterned floor
December 2020
A single walnut on a faded patterned rug
December 2020
An axe rests on a chopping block among split logs
Firewood for the winter
A painted mural of three faces under Armenian lettering
A mural, Yerevan, December 2020

End of the walk

Where it began

These days in December 2020 were my first visit. The people I met here opened the doors to the villages of The Art of Seeing, The Art of Remembering.

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