Premiere season: Mothers of Masrik. A new film every Sunday from 1 November. See the films Global online premiere: The Art of Seeing, The Art of Remembering. Saturday 5 December, 20:00 Yerevan · 08:00 Glendale. See the times
British and German · Based in London · Community documentary

Ordinary lives at the edges of history.

Photographs and films, made slowly and with the people in them. Armenia, Kosovo, and the long road east.

Film: The Art of Seeing, The Art of Remembering. Mets Masrik, Armenia, 2021 to 2022.
Premiere season · Sundays, 1 to 22 November

Mothers of Masrik

Four families of Mets Masrik stand in silence in front of their homes. Each film comes in two versions: in silence, and in their own words. One family a week, on YouTube.

First premiere: Sunday 1 November Meet the families
Mothers of Masrik, film 1 Premieres Sunday 1 November Silent portraitIn their words
Mothers of Masrik, film 2 Premieres Sunday 8 November Silent portraitIn their words
Mothers of Masrik, film 3 Premieres Sunday 15 November Silent portraitIn their words
Mothers of Masrik, film 4 Premieres Sunday 22 November Silent portraitIn their words
  • Highly commended TPF Social Documentary Awards 2022
  • Best Documentary Short Paris
  • Best Social Justice Documentary Vienna
  • Best Direction Toronto
  • Broadcast on national television The Blockade, Armenia, 2023
  • Exhibited London, November 2022
Projects

Walk through the work

Grouped by place. Each project has its own room: a walk through the photographs, the field notes and the film. New places and projects join here once the first walk is ready.

Armenia · 2020 to now Seven strands of work since my first visit, weeks after the war: community documentary, workshops with children, film, an archive and the protests in between.
See all Armenia work, in order
A family stands in a sitting room with children on the sofa December 2020 After the War The first visit. Aid halls, an art class and the families of the fallen. Where it all began. Walk through
A bright yellow door stands among dry branches June 2021 The Yellow Door One afternoon in a Tavush border village, and the families who stay. Walk through
A woman in a knitted waistcoat stands in a doorway, framed by a lace curtain Film and book · 2021 to 2023 The Art of Seeing, The Art of Remembering Two villages, four journeys, and the family albums they kept. Walk through
A girl holds an Instax camera up to her eye in a classroom Workshop · June 2021 In Their Hands Two days with the children of Debet: cyanotype in the field, Instax in the classroom. With Paul Lewis. Built for NGOs and schools. Walk through
A boy plays an upright piano in the snow, a Union flag held up behind him Film · 2023 The Blockade Sixteen children went to Yerevan for a song contest and could not go home. Walk through
A young man in a navy jacket speaks during an interview outside a museum in Yerevan In the edit After the Blockade The same teenagers, met again in Yerevan, on what comes next. Start with The Blockade
A column of riot police crosses a wet street in Yerevan Protest · 2020 to 2023 In the Streets Republic Square after the war and after the election. Shown apart from the community work. Walk through
Kosovo · 2023 to now Families, the kanun, and the ties that hold when the state does not.
Walk through Kinship
A village of red roofs and a minaret in a winter valley In production Kinship Photographs, film and field notes from two journeys, with the producer’s trailer. Walk through
Family archives

The families own their photographs. I help them keep them.

Every project starts at a kitchen table with the family album. Each family decides what to share, how it is told, and what stays private. We scan the fronts and the backs, because the handwriting says who a picture was for. Then the archive goes home. It is slow work, in the tradition of Susan Meiselas’ Kurdistan, and it is the thread that runs through my photographs, films and book.

2,000+family photographs scanned, fronts and backs
20+families who chose to share their albums
2community archives, Armenia and Kosovo
01 Earn the welcome Weeks, not days, and more than one visit. I eat at people’s tables before the camera comes out.
02 The family chooses People decide which memories to share, how they are told, and what stays private. The rights stay with them.
03 Fronts and backs We scan every print on both sides and record the story behind it, in the family’s own words.
04 The archive goes home Prints, scans and films go back to the families and the village, before anything is shown elsewhere.
From the family archives Khachik, Armenia, 2022 · Eastern Kosovo, 2023 · Scanned with each family, fronts and backs, and shared with their permission See all 120 photographs in the archive
A black and white wedding portrait of a young couple
A wedding. The Badalyan family archive
A combine harvester in a field, in an old black and white print
Harvest time. The Abrahamjan family archive
Two young women with plaits hold books, in an old print
Two young women with their books. The Gevorkyan family archive
A woman in a white coat stands beside a cow
At the farm. The Harutyunyan family archive
A studio portrait of a mother, father and two small fair-haired children
A studio portrait. A family album, eastern Kosovo
The back of a photograph stamped Foto Putnik, Gnjilane, 17 June 1977
Its back: Foto Putnik, Gnjilane, 17 June 1977
Four young men in white felt caps sit cross-legged on the floor
Four young men in white caps. Eastern Kosovo
Five young men in jeans pose outside a school building
Friends outside the school. Eastern Kosovo
Add to an archive Do you have a photograph from one of these villages? Families and neighbours can share their own pictures and stories. Send me an email and I will reply with a private upload link. Nothing goes live without the family's agreement, and anything can be withdrawn.
Support the work

Help make the next film

This work is self-funded, slow and made with the communities in it. Your support pays for fieldwork, translators and the prints and films that go back to the families.

Fund Kinship Back the next stage of the Kosovo film: a third field trip, translation and the edit. Watch the producer’s trailer first. Fund the film
Give once Stories outlast wars, borders and silence. Your gift helps local crews on location record them before they fade. Any amount, by card or PayPal. Make a gift
Become a patron Not charity. A wage. Your monthly gift pays local fixers, translators and crews on location, so communities tell their own stories. Patrons see the work first, in letters from the field. Give monthly
From the forthcoming book

An Armenian Journal

In 1947 John Steinbeck and Robert Capa went to the Soviet Union and set the politics aside. They wrote down what people ate, how they worked and what made them laugh. This journal works the same way. These pages come from my forthcoming book about Armenia. They are sorted by the things every family shares rather than by date, and they grow each time I go back.

The road The album The table The young The fire The return
A village road at dusk, the sun setting at the far end The road

In the late afternoon the children sit by the road and wait for their parents to come back from the fields. Nobody calls it waiting. It is simply what happens at that hour.

Mets Masrik, Armenia · The Art of Seeing Read the story
Two hands hold up an old black and white photograph of villagers The album

I carried a film camera and a digital one. The film camera made people patient. The digital one made them curious. By evening the albums were out on the table.

Khachik, Armenia · Khachik Archive Open the archive
A young man in a navy jacket speaks during an interview outside a museum in Yerevan The young

He chose to meet outside the history museum. Behind him hung three thousand years of pots and gods. He wanted to talk about next year.

Yerevan, Armenia · After the Blockade See what is coming
The work

One road, many villages

Community projects from the Caucasus to the Balkans, and the road I plan to follow next. Where safety requires it, a place is shown only as a region.

Hand-drawn map from the British Isles to Central Asia, showing where Sascha Klamp works and a planned route from Geneva to Kabul London, home Kosovo · Kinship Armenia Kazakhstan Geneva Kabul - - - Ella Maillart's road, 1939. Geneva to Kabul, approximate
The South Caucasus
  • The Art of Seeing, The Art of Remembering2021–23
  • Khachik Archive2021
  • Armenia: Ways of Seeing2022
  • After the War2020
  • The Yellow Door2021
  • In the Streets2020–23
  • The Blockade2023
  • Artsakh: No to Ethnic Cleansing2023
The Balkans
  • Kinship, Kosovo2023, in research
The road east
  • The Cruel Way, retracedPlanning
  • Germans of the Steppe, KazakhstanDevelopment
Environmental portraits My story is waiting to be heard. No studio and no backdrop. People in their doorways, kitchens, fields and streets, where their stories happen. See the portraits
An elderly man in a dark cap, his eyes closed, eastern Kosovo
Faces from the work All portraits
Portrait of an elderly man against a white wall A young woman in red smiles to one side, Yerevan An elderly man in a white cap holds a walking stick, Kosovo An older man waves and laughs, Yerevan Portrait of an elderly woman in a dark blouse A woman smiles with her hands pressed together, Yerevan An elderly woman in a floral blouse speaks with her hands, Kosovo A young man smiles straight into the lens, Yerevan A man laughs and raises his arm in a doorway An older woman in pearls looks into the camera, Yerevan A woman in a patterned scarf smiles outdoors in winter A small girl held up in the crowd beside her father, Yerevan A man with wild grey hair laughs into the camera, Kosovo Portrait of a man against a green valley, Tavush An elderly couple stand together in front of a wooden door An elderly man in glasses among shelves of books
Films

Stories in motion

Global online premiere · the full film Saturday 5 December The Art of Seeing, The Art of Remembering, 23 minutes, shown here for the first time online. Two screenings, so Armenia and the diaspora can both watch in the evening.
Screening one20:00 Yerevan · 16:00 London · 17:00 Paris · 08:00 Glendale and Los Angeles
Screening two19:00 Glendale and Los Angeles · 22:00 New York · 07:00 Sunday in Yerevan
Go to the film page: awards, story, credits
The Art of Seeing, The Art of Remembering Trailer · 1 min 25 · Mets Masrik, Armenia · Five Mountain Films or on YouTube
Best Documentary Short, Paris Best Social Justice Documentary, Vienna Best Direction, Toronto TPF Social Documentary Awards 2022
Film poster for The Blockade: a girl in a green hat cups her face in white gloves The Blockade Artsakh, 2023. Sixteen children, thirty days stranded in Goris. Broadcast on Azatutyun, Artsakh TV, Hayastan 2 and Yerkir Media. Walk through the film. Portrait of a very old man in a dark cap Kinship Kosovo, in production. The producer’s trailer, made to raise funds for the film. Children sit on the pavement beside an Artsakh SOS banner and flags Artsakh: No to Ethnic Cleansing London, 30 September 2023. The diaspora at the gates of Downing Street, days after Artsakh emptied.
Screenings and talks

Bring the work to your audience

For universities, schools, museums, festivals, NGOs and companies. In person or online.

Book a screening A film followed by a conversation with the director. A rich fit for teaching anthropology, history and ethics.
  • The Art of Seeing, The Art of Remembering
  • The Blockade, with English and French subtitles
  • Optional Q&A, in person or online
Ask about a screening
Book a talk An illustrated talk drawn from years of fieldwork, sized for a lecture hall, a festival or a boardroom.
  • Armenia after the blockade: what communities remember
  • Who owns a family’s memory? Community archives and consent
  • From investor to documentary maker: frontier markets up close
Book Sascha as a speaker
Book a workshop How to build a community archive with families, and turn it into documentary work, drawn from The Art of Seeing, The Blockade and Kinship.
  • Preparation: access, trust, consent and who owns the pictures
  • Research: fieldwork, interviews, and scanning family albums front and back
  • Production: shooting, editing and taking the work back to the community
Plan a workshop
Cover of The Art of Seeing, The Art of Remembering: two men sit smiling against a weathered stone wall in Armenia
Shop · The book

The Art of Seeing, The Art of Remembering

Photographs, family albums and testimony from Mets Masrik, Armenia. First published for the London exhibition in November 2022, now reprinted.

Format
Softcover, A5 landscape (210 × 148 mm)
Pages
52 pages, 170gsm gloss, 350gsm silk cover
Languages
English
Shipping
From London. UK £1.90, EU £3.70, US £4.30
£14.99 plus postage · signed on request
Coming next An Armenian Journal The full book: families, albums and field notes from Khachik, Mets Masrik and beyond. Publication date to be announced. Hear first when it is published
Next journeys

Where the road goes next

Projects in research and planning. Each one becomes a room above once the first fieldwork is in.

Follow the work through EU Stories
Image to follow
In planning The Cruel Way, retraced Following Ella Maillart’s 1939 road east, and asking who lives along it now. Switzerland to Afghanistan
Image to follow
In development Germans of the Steppe (working title) Descendants of German families sent east, and the albums they carried. Kazakhstan
Writing and podcast EU Stories Letters from the field and conversations about the work behind the pictures. What went wrong, what surprised me, and who I met on the way. Read and listen
Project room Kinship The Kosovo project has its own room on this site, where research notes and the archive will grow as the work does. Walk through Kinship
Press
  • Audience reactions, Toronto Documentary Festival (video below)WILDsound, April 2023
  • Interview: The Art of Seeing, The Art of RememberingMatthew Toffolo, May 2023
  • “This film is honest”: on The BlockadeAzat Dzayn
  • Article on The Art of Seeing, The Art of RememberingVudi Xhymshiti
  • Coverage of The Blockade in eleven Armenian outlets2023
  • “Nagorno-Karabakh, the republic that disappeared overnight”Wendell Steavenson, 1843 Magazine, The Economist, 1 January 2024
From the festival The audience responds Viewers talk about The Art of Seeing, The Art of Remembering straight after its screening at Toronto Documentary Festival, April 2023. Watch on YouTube · WILDsound
The film crew sets up a camera on a village street in Armenia
On location in Armenia with the crew.
About

A narrator who lives inside the story

I am a British and German documentary photographer, filmmaker and producer, based in London. For most of my career I was an investor and entrepreneur, and that work took me to frontier and emerging markets. Now I go back to places like these with a camera and stay much longer.

My thinking comes from ethnography and anthropology. I shoot on film with a Nikon F3 and digitally with a Leica. I hold an MA in Photojournalism and Documentary Photography from the University of the Arts London, with distinction.

The work I return to most is A Russian Journal by John Steinbeck and Robert Capa, and the archive projects of Susan Meiselas.

Commissions and partnerships For NGOs, foundations, editors and broadcasters who need a community story told with care.
One practice, three names Ethnophotography is my documentary work and this site. Five Mountain Films is the name my films are produced under. Up 2 Imagination is my commissioned and client photography. Other work Street, event, fashion and portrait photography, including London series such as Midnight Oil, lives on my commissions site. See commissioned work
Contact

Write to me

Screenings, talks, workshops, commissions or a family photograph you would like to share. I read every message and reply within a week.

hello@ethnophotography.com
Book a screening Book a talk Plan a workshop Commission or partnership Share a family photograph Press