December 2020
After the War
The first visit. Aid halls, an art class and the families of the fallen. Where it all began.
Walk through
Photographs and films, made slowly and with the people in them. Armenia, Kosovo, and the long road east.
Film: The Art of Seeing, The Art of Remembering. Mets Masrik, Armenia, 2021 to 2022.Four families of Mets Masrik stand in silence in front of their homes. Each film comes in two versions: in silence, and in their own words. One family a week, on YouTube.
Grouped by place. Each project has its own room: a walk through the photographs, the field notes and the film. New places and projects join here once the first walk is ready.
December 2020
After the War
The first visit. Aid halls, an art class and the families of the fallen. Where it all began.
Walk through
June 2021
The Yellow Door
One afternoon in a Tavush border village, and the families who stay.
Walk through
Film and book · 2021 to 2023
The Art of Seeing, The Art of Remembering
Two villages, four journeys, and the family albums they kept.
Walk through
Workshop · June 2021
In Their Hands
Two days with the children of Debet: cyanotype in the field, Instax in the classroom. With Paul Lewis. Built for NGOs and schools.
Walk through
Film · 2023
The Blockade
Sixteen children went to Yerevan for a song contest and could not go home.
Walk through
In the edit
After the Blockade
The same teenagers, met again in Yerevan, on what comes next.
Start with The Blockade
Protest · 2020 to 2023
In the Streets
Republic Square after the war and after the election. Shown apart from the community work.
Walk through
In production
Kinship
Photographs, film and field notes from two journeys, with the producer’s trailer.
Walk through
Every project starts at a kitchen table with the family album. Each family decides what to share, how it is told, and what stays private. We scan the fronts and the backs, because the handwriting says who a picture was for. Then the archive goes home. It is slow work, in the tradition of Susan Meiselas’ Kurdistan, and it is the thread that runs through my photographs, films and book.
This work is self-funded, slow and made with the communities in it. Your support pays for fieldwork, translators and the prints and films that go back to the families.
In 1947 John Steinbeck and Robert Capa went to the Soviet Union and set the politics aside. They wrote down what people ate, how they worked and what made them laugh. This journal works the same way. These pages come from my forthcoming book about Armenia. They are sorted by the things every family shares rather than by date, and they grow each time I go back.
The road
In the late afternoon the children sit by the road and wait for their parents to come back from the fields. Nobody calls it waiting. It is simply what happens at that hour.
Mets Masrik, Armenia · The Art of Seeing Read the story
The album
I carried a film camera and a digital one. The film camera made people patient. The digital one made them curious. By evening the albums were out on the table.
Khachik, Armenia · Khachik Archive Open the archive
The young
He chose to meet outside the history museum. Behind him hung three thousand years of pots and gods. He wanted to talk about next year.
Yerevan, Armenia · After the Blockade See what is comingCommunity projects from the Caucasus to the Balkans, and the road I plan to follow next. Where safety requires it, a place is shown only as a region.
The Blockade
Artsakh, 2023. Sixteen children, thirty days stranded in Goris. Broadcast on Azatutyun, Artsakh TV, Hayastan 2 and Yerkir Media. Walk through the film.
Kinship
Kosovo, in production. The producer’s trailer, made to raise funds for the film.
Artsakh: No to Ethnic Cleansing
London, 30 September 2023. The diaspora at the gates of Downing Street, days after Artsakh emptied.
For universities, schools, museums, festivals, NGOs and companies. In person or online.
Photographs, family albums and testimony from Mets Masrik, Armenia. First published for the London exhibition in November 2022, now reprinted.
Projects in research and planning. Each one becomes a room above once the first fieldwork is in.

I am a British and German documentary photographer, filmmaker and producer, based in London. For most of my career I was an investor and entrepreneur, and that work took me to frontier and emerging markets. Now I go back to places like these with a camera and stay much longer.
My thinking comes from ethnography and anthropology. I shoot on film with a Nikon F3 and digitally with a Leica. I hold an MA in Photojournalism and Documentary Photography from the University of the Arts London, with distinction.
The work I return to most is A Russian Journal by John Steinbeck and Robert Capa, and the archive projects of Susan Meiselas.
Screenings, talks, workshops, commissions or a family photograph you would like to share. I read every message and reply within a week.
hello@ethnophotography.com